Why put Natalie Portman when you can put a kitten?
A little late, or rather, bittorrent speed that allows me, I could see a couple of films, with prizes better known than another, but both far more remote than I usually include in my hard drive .
do not give this child to eat at home?
Black Swan. Not only was the most acclaimed film of Natalie Portman, this story reminded me of a quote from Masquerade, in which Terry Pratchett described fairly well the ballet: "To the surprise of Perdita, those girls were there voluntarily." And, in addition to the dramatic descent into hell of a ballerina looking for perfection, it is the ballet grimoso portrait I've ever seen: all the footage shows the uglier face of this discipline, so that no skimp on broken nails, treatment of injuries typical of the ballet, and even the diet of the protagonist (half a grapefruit breakfast. The Geneva Convention should be considered an attack on human rights). And most of all neurosis, many neuroses. And is that a servant can see how everyone is devoured by a horde of zombies, but seeing Natalie Portman throwing a stepfather to the core, made me turn my face.
The best of the film is obviously the character of Nina, well characterized in terms of their neurosis (and dermatitis) prior, and how they are magnified and affected. Just like her mother, a figure clearly more disturbing than any of the hallucinations experienced by the protagonist. Although we recognize these achievements, I particularly liked either by the subject, or by history. Yes, it is highly recommended for all girls who not only never done ballet, but the idea of \u200b\u200bboats hit the fingertips made us a bad feeling awful.
Health Nobody escapes ...
never leave me. A late for a movie premiere in 2010, based on the book by Kazuo Ishiguro I had the opportunity to read recently. And although this book does not have anything particularly complex, being told from the viewpoint of the protagonist makes many events can not move to the screen as it went, especially when characterizing the main characters, as in the case of Keira Knightley, as Ruth is much less irritating than paper versions. Another difference is the treatment of major revelation, although he was never a secret in the book, here is set to begin shortly after the film.
The setting, rather timeless, is also quite similar to the book, but give specific dates, both the sets and costumes for the characters is neutral enough to mow any time be spent in the last fifty years ... and surprisingly, despite to be a very intimate story, marked narration by the main character, gets to work well on screen, although it should be quite clear that it will be a very slow film with a preference for flat characters.
As can be seen, none of these films include frames terrifying zombies, not a completely unknown cast, we're probably at the entrance of Skipjack ever written.
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